TOP's Canon G10 Review

The Online Photographer blog has a recent review of the Canon G10 by Edward Taylor, which is interesting on many levels. I'm in the market for what the article/post calls a DMD (Decisive Moment Digital) camera...in other words, a small camera that is easily portable and that can deliver a near-DSLR quality image, and one that I can use for whenever I get a street photography whimsy attack.

The dilemma will arise when I buy the Canon 5D II. I'll then have my trusted 1d Mark II as back-up when I travel, so where does that leave the G10, if indeed I get it? Is that what they call a Solomonic decision?

The G10 is attractive, not only because of its price, but because it's small (although larger than its predecessor, the G9), is solid, starts up fairly quickly, it has a wider 28mm to 140mm (equivalent) lens, it shoots RAW and the image quality is reported to be good.

I'm tired of reading highly technical gibberish-laden reviews that are seemingly written for rocket scientists...and chancing on such a meat & potatoes kind of review is a breath of fresh air. It tells me what I need to know...I may not agree with all of it, but at least I understand what I read.

Update: I now have the G10. Here are my first impressions. (Link)

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Bhutan Photo Expedition: Le "Chimping"

Photograph © Gavin Gough/All Rights Reserved
Here's a Soundslides candid behind the scenes look at the going-ons during the Bhutan: Land of the Druk Yul photo expedition. All photographs are courtesy and copyright of Gavin Gough (those of him are obviously not...unless they were self-taken).

As can be seen from the above photo capture, we were singularly adept at the art of chimping during the Thangbi Mani tsechu.

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Book: Monumental India

As is my habit when I'm in London, I dropped by the High Street Kensington branch of Waterstones to browse its offerings of travel photography books. In the middle of a wobbly table, there was a large brick-colored sleeve enveloping The Monumental India Book by photographer Amit Pasricha, with an introduction by William Dalrymple...an Indiaphile and a damn good writer as well. Glancing at the price tag, and finding it to be a rather steep GBP 100 (at today's exchange that'll be about $165), I drew a sharp breath and flipped its pages...really savoring what I viewed.

The handsome book contains breathtaking panoramic views of India, its regal monuments and religious sites. It's obvious that Amit was given unfettered access to many hidden treasures. According to the Times of London, the photographer used "cutting-edge technology that enables a panoramic vista of up to 360 degrees, shot in several sections, to be encompassed within a two-dimensional picture – an impossibility with the naked eye."

An online preview of the book can seen here (LINK) Recommended.

Also, and courtesy of the TimesOnline, a set of ten photographs can be seen here (LINK)

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Bhutan: Land of Druk Yul Expedition

Photograph © Tewfic El-Sawy/All Rights Reserved
Here's one of the many images I made at the Tamshing Lakhang during the Tamshingphala festival in Bumthang, Bhutan. This was one of the festivals or tsechus on my Land of Druk Yul photo expedition's itinerary. It is of a young monk practicing with a conch shell before one of the festival's dances. The conch is used in Tibetan Buddhism to call together religious assemblies, and during rituals is used both as a musical instrument and as a container for holy water.

Tamshing is the original home of sacred dances that are celebrated at traditional Tsechus (festivals) throughout Bhutan, and is the most important Nyingmapa temple in Bhutan. The temple and monastery are remarkable for their direct connection to the Bhutanese saint Pema Lingpa.

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The 37th Frame

Pete Marovich, a photojournalist based in Harrisonburg, Virginia has started The 37th Frame a few weeks ago. The site seeks to bring to its readers the best of photojournalism and photography on the internet, by searching web sites of newspapers, magazines and independent photographers around the world, and posting links to the work.

Marovich states that his objective is to create a central place where photographers and fans of great photography can find exceptional photographs and essays. Having visited The 37th Frame (what a cool name!) a few times already, I look forward to many return visits in the months to come.

My thanks to Cathy Scholl for bringing it to my attention.

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Another Me Project

Photograph © Achinto Bhadra
The Terre des hommes Foundation (Lausanne, Switzerland) conceived the Another Me project in which the documentary photographer Achinto Bhadra and counselor Harleen Walia guided 126 girls and women through a healing journey of psychological transformation. Achinto’s portraits record trafficking survivors’ imaginative visions of themselves as human, animistic and divine beings of power, love, revenge and freedom.

The girls and women in the photographs, from 8 to 25 years old, are survivors of trafficking, rape or abandonment, or are the children of sex workers. They have been in the care of Sanlaap, a non-governmental organization based in Kolkata, India. The photography sessions were conducted at Sanlaap’s Sneha Girls Shelter.

The project's photographer is Achinto Bhadra, who studied photography at Chitra Bani, Kolkata and at the London College of Printing. He's a recipient of the Charles Wallace Scholarship. As an independent documentary photographer, he has spent years photographing the urban poor and marginalized children and women for national and international development agencies.

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DenverPost.com: Sukkot

Photograph AP Photo/Nasser Ishtayeh-All Rights Reserved
The Denver Post is another of the newspapers adopting large format images for its Captured Photo Blog of photo galleries, multimedia and video. While many of its features are of Colorado, it also offers international coverage such as the festival of Sukkot, which occurs during the latter two weeks of October in 2008. This Jewish festival commemorates the 40 years of wandering in the desert after the exodus of Jews from Egypt some 3200 years ago.

Browsing the photographs on the Sukkot feature, I stopped at the above image, which I initially thought to be of a Muslim imam, but is of a member of the Jewish Samaritan community. According to tradition, the Samaritans are descendants of Jews who were not deported when the Assyrians conquered Israel in the 8th century B.C. Click on the image to see it in a larger size.

The rest of the photographs are on the Denver Post's Captured

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