среда, 9 сентября 2009 г.

New Leica M9



Photojournalists (the few who can still afford it) and dentists have been impatiently waiting for 9/9/2009 for the new Leica M9.

According to the British Journal of Photography, Leica has updated its M8 model with a full-frame M9. The M9 fits a 24x36mm 18.5 million pixel resolution CCD sensor that has been developed specifically for the camera. It offers ‘full 35mm film format without any compromises’ claims Leica.

The M9 has a magnesium alloy body, and is said to have a "discreet" mode for candid shots in street photography. It can photograph at a range of ISO80 to ISO2500, at up to 2fps, and has a 2.5-inch LCD screen on the back.

The M9, which will be available in a steel-grey or black paint finish, weighs 589g with its battery and measures 139x37x80mm. The price in the US is estimated at $7000, while it's the equivalent of $8000 in the UK (at today's exchange rate).

There's also a review here on DPReview, and for the "eye-candy" go to the M9's website.

Mohit Gupta: Thankas


I mentioned that I would feature Mohit Gupta's multimedia project "Thankas" on TPP as soon as it was uploaded on his website, and I'm pleased that he has just made it available to us to appreciate on his newly completed website/blog.

Originally from Himachal Pradesh, Mohit is an independent photographer based in New Delhi, who specializes in travel and documentary photography. To Mohit, photography is a serious medium for expression. A self taught photographer, he is mainly interested in documenting culture, traditions, rituals and religion, and has traveled within South East Asia to do just that. He also works with NGOs and helps them documenting their work.

"Thankas" was Mohit's project while at the Foundry Photojournalism, where he attended my Introduction To Multimedia Storytelling class. It is a well-made audio slideshow, incorporating many techniques...including the flip-book technique to simulate motion from a number of sequential still photographs.

My previous post on Introduction To Multimedia Storytelling is here.

Mindy Adams' Guide: Multimedia Reporting


Mindy McAdams teaches university courses about online journalism and the changing ways we use technologies for communication, and she has published a comprehensive guide to multimedia proficiency, now available for download in PDF from her website.

The 42-page document is fully linked and usable online in most web browsers, Adobe Reader, or in Preview on the Mac OS. McAdams has licensed the entire document under the Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License. This means that users are free to share, distribute, reuse and even remix it, in line with the CC conditions.

I have yet to read it in its entirety, but my quick scan of its chapters convinced me that it's a valuable document for those who seek to, not only start incorporating multimedia in their work, but also those of us who already are proficient in it but want to hone their skills.

Via Seshu on Twitter

вторник, 8 сентября 2009 г.

Mitchell Kanashkevich: Seeing The Light

Photo © Mitchell Kanashkevich-All Rights Reserved

Mitchell Kanashkevich is an oft-published travel/documentary photographer, whose main passion resonates with those of us who are described as "ethno-photographers". Much of his work is in capturing disappearing ancient cultures and the human condition in unique, challenging situations. Much of his travel/documentary photography is represented by Getty Images, while his cultural portraits, both color and black and white, are in private collections.

Mitchell has recently published a new eBook titled Seeing The Light. The premise of the eBook is to show how to create “believable” looking artificial light with a single off camera flash in a softbox or with a reflector, exploit natural light with and without the help of artificial light,and gain a deeper understanding of natural light and how it can be used creatively, even in challenging situations.

Via the above link, you can see sample screen grabs and even download a sample PDF.

As he says, the lessons in Seeing the Light is relevant to anyone who’s passionate about light, but wants to stay compact – that includes travel and documentary photographers, wedding photographers, portrait photographers and even low-budget commercial shooters.

For Mitchell's wonderful travel and ethno-photography, drop by his website...I guarantee you'll be inspired by his work.

понедельник, 7 сентября 2009 г.

WIRED: Kanepari & Ferguson

Photos © Adam Ferguson (L)/Zackary Canepari (R)-Courtesy WIRED

"The photojournalist has long been known as the lone wolf, traveling solo to the far-flung corners of the world to document experiences few are capable of seeing. By function, it’s often a solitary quest, lonely and alienating; rarely as romantic as the photographs make it appear."
What a great start for the Raw File article written for WIRED by Bryan Derballa!

The article deals with the friendship and healthy competition between Adam Ferguson and Zackary Canepari, two immensely gifted photojournalists working in Pakistan, India and Afghanistan. It appears that they helped each other, and edited one another’s work, always hoping to improve its quality.

WIRED's Raw File's article is in essence two interviews: Ferguson giving his views on Canepari's work, and vice-versa. Quite an interesting read...naturally, they pat each other on the back, but that's what friends do, especially those whose camaraderie withstood difficult circumstances.

Both photojournalists are content to be doing what they want to do at this time. Canepari is back in California pursuing personal projects, while Ferguson is still shooting in Afghanistan.

Zackary Canepari was featured on TTP a few times, and Adam Ferguson's work in Orissa was featured here.

воскресенье, 6 сентября 2009 г.

Ulla Lohmann: Papua Mummies


An unusual project has put Ulla Lohmann in the 'crosshairs' at the Visa pour l'Image photojournalism festival in Perpignan.

Ulla's Mummies in Papua portfolio was shown at Visa's first nightly projections, and is a distinct change from the normal fare that the festival is reputed for. She had to wait two years before being granted authorization to see and photograph the mummies.

In Papua New Guinea’s Morobe Highlands, the Anga tribe used to follow an ancient method of mummification for its dead by smoke curing, however the tradition has been almost lost, until the tribe leader's grand-daughter's death.

The lost tradition was revived when the grand-daughter died. The mummies were brought back to the village, and eventually restored for preservation. Now, the tribe's leader also wants to be mummified once he dies and has asked Lohmann to record the event.

1854, the blog of the British Journal of Photography has an interview with Ulla Lohmann.

суббота, 5 сентября 2009 г.

POV: To Publish or Not?


After 3 weeks of deliberation, the Associated Press released a graphic photograph by Julie Jacobson of Lance Cpl. Joshua M. Bernard shortly after he was struck by a rocket-propelled grenade during a Taliban ambush in Afghanistan. Lance Cpl. Joshua M. Bernard was mortally wounded and died shortly thereafter.

The New York Times has the whole story here.

Naturally, both the knee-jerk and the well reasoned outrage at AP's decision to publish such a photograph have been the subject of many op-eds, newspaper articles, commentary and blog posts. It is not the first time (nor the last) that the issue is whether the public is better served by seeing what really happens in war, or whether it's better to shield us from the ugliness of war, and to protect the privacy of the American families who lose loved ones in these conflicts.

In this case, the father of Lance Cpl. Joshua M. Bernard specifically requested AP not to show the photograph, and Defense Secretary Robert M. Gates intervened personally to ask not have the photos published.

It's a tough call, isn't it? But I reluctantly side with those who believe that showing such images conveys to the viewing public the atrocity, the complexity, the brutality, and the sacrifices of war. We should not allow ourselves to be anesthetized by deliberate governmental or military censorship, often disguised by proclamations of "respect for the families". These are the same people who send our children to war, knowing full well how horrific it is. Mr. Gates pleaded with AP not to show the image of this (in his words) "maimed and stricken child on the front page of multiple American newspapers...." Yet, children like Lance Cpl. Joshua M. Bernard have been sent to war by Mr. Gates and his predecessor by a mere stroke of their pens...and precious lives have been lost, and will continue to be lost.

Every day we see photographs of Iraqi corpses, Palestinians horribly maimed, Afghan women with horrific burns, Congolese civilians beheaded, and many others. They are also loved ones and have families too, yet we show them in our publications without even thinking twice. Yes, sometimes, a gentle soul at one of the newspapers inserts a caution before the graphic images...but they still end up on our front pages, don't they?

Yes, sometimes war is necessary and sometimes it's forced on us...and having taken the momentous decision to send our own to war, we should accept, and see, its atrocious consequences.

Finally, why hasn't the AP shown similar photographs during the previous Administration? If it did, perhaps we wouldn't be in this mess.

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