понедельник, 12 апреля 2010 г.

Francesco Lastrucci: Kashgar

Photo © Francesco Lastrucci-All Rights Reserved

Here's the work of Francesco Lastrucci, an Italian freelance photographer who specializes in editorial stories. He's currently based between Italy, New York and Hong Kong from where he works on projects involving Europe, Latin America and East Asia.

From Francesco's diverse editorial stories, including a story of the ubiquitous areca nut and betel leaf chewing in Taiwan (as indeed it is in many other Asian countries), and its marketing by beautiful young women, I chose his excellent work on Kashgar, the capital city of the Uyghur.

The Uyghur live in modern Xinjiang, the westernmost province of China, but the name Xinjiang is considered offensive by many Uyghur who prefer to use Uyghurstan or Eastern Turkestan. Kashgar is an oasis city with approximately 350,000 inhabitants, and its old city has been deemed overcrowded and unsafe for its residents, and will have at least 85% of its structures demolished. Demolitions have already begun, with many of its former denizens forced to move.

Kashgar’s old city has been called “the best-preserved example of a traditional Islamic city to be found anywhere in Central Asia, but it is now being razed by the Chinese government which plans to replace the old buildings with new.

воскресенье, 11 апреля 2010 г.

Canon 7D


I thought I'd post this advert for the National Geographic camera bags because it was entirely shot with a Canon 7D. Johnnie Behiri is the photographer who produced it.

By the way, I just read that the producers of the Dr. House television series have shot a soon to be aired episode with the Canon 5D Mark II. Incredible!

Another gem I found on Gizmodo is a $6 do-it-yourself thingamajig that allows rack focus (aka follow focus). I'll drop by Home Depot and see if I can make one for my 5D Mark II. A video of a similar project is also here.

With a ATR6250 microphone affixed on my camera's hot shoe, and this home-made follow focus ring, I'll be schelpping quite a contraption.

The Canon's EOS 7D can be considered as an entry-level "professional" DSLR, positioned between the EOS 50D and EOS 5D Mark II, and I'm tempted by it because of its many still photography interesting features; one of which is its speed reaching 8 fps (for the first 16 frames) and an average 7.1 fps for 144 frames. This almost compares with the speed of the Canon 1D series dSLRs. More to follow on this topic.

суббота, 10 апреля 2010 г.

MoMA: Henri Cartier-Bresson

Photo © Henri Cartier-Bresson-All Rights Reserved

The Museum of Modern Art in New York City is showing Henri Cartier-Bresson: The Modern Century" this coming Sunday April 11, 2010, and the exhibition's website is truly a delight.

Henri Cartier-Bresson began traveling in 1930, at the age of twenty-two. For nearly half a century he was on the road most of the time, and the geographical range of his work is notoriously wide. Photographs of Asia (many of which are of China), North America, Japan, Africa, Europe, USSR, Middle East are shown arranged in themes, or chronology.

The New York Times has a review of the exhibition by Holland Cotter who, in the article titled A Photographer Whose Beat Was the World, writes this rather flowery sentence:
"The third and crucial constant in his career was, of course, a camera: in Cartier-Bresson’s case, a hand-held Leica, as neat and sleek as a pistol. Whether he was traveling as a journalistic eye for hire or sauntering through Paris of an afternoon, the camera went too."
I find it impossible to decide which is my favorite Henri Cartier-Bresson's photograph, but the one above of these Indian women in Srinagar (Kashmir) photographed in 1948 has always impressed me. Is it because none of their faces are visible, or is it because one of them appears as if she's holding a couple of clouds in her outstretched hands? It's described as Muslim women on the slopes of Hari Parbat hill as they pray while the sun rises behind the Himalayas, and was taken during a period of terrible violence in Srinagar. Magnificent.

Update: The New Yorker Magazine has an article/review on the retrospective at the MoMA.

From the article/review, I learned that the French title of HCB's best-known book, “The Decisive Moment, was “Images à la Sauvette”, which means “images on the fly". The French title implies something done somewhat furtively, and has much less gravitas than the English title.

пятница, 9 апреля 2010 г.

POV: iPad, Toy or Tool?


Okay, I've now seen it, touched it and toyed with it for a while at the Apple store. Yes, it's beautifully designed, sleek and really cool...and I'd love to win it in a free contest (or something like that).

However, I don't see its necessity for photographers as yet. Photoshelter's blog recently posed the question as to whether the Apple iPad will revolutionize the way photos are presented and consumed? Various "pundits" responded, and I tend to agree with the views expounded by Stella Kramer, such as this one:
"From discussions I have had and demos I have seen, there is very little that excites me about translating the telling of stories onto the iPad."
I've seen that the iPad shows off photographs incredibly well, and the scrolling of web pages is intuitive and it's light and well designed, and it's...well, cool.

But being cool doesn't translate into it being a necessity nor a tool. Yes, there are some commercial photographers who will use their iPad instead of high end leather-bound portfolio books to show clients, and wedding photographer will certainly upload their work on iPads to give to their high-end clients (and build its cost in their invoice), but the rest of us into the story-telling business? Not much. Perhaps if we had $500-800 to spare and wanted a sleek platform (although the Mac Book Pro 13" display is phenomenal) to show off our photographs...

Redesigning many photography websites from being both Flash-based and iPad-ready may be a boon to web designers and website providers, but photographers can ill afford this additional expense at this time.

The iPad comes in three "flavors": 16GB, 32GB, or 64GB flash drive, so it may be useful to commercial and wedding photographers to have by their side on photo shoots, but other than that, I'm still scratching my head at its usefulness. Perhaps in the very near future, there will be really "must-have" applications ("apps") that will convert it from being a toy to being a tool, and while I completely agree that it's a harbinger of the future of internet browsing and more, it's not yet on my list.

It's been reported by a think-tank that 50% of all computers sold for children by 2015 will have touchscreens...perhaps touch is indeed the future, but until the iPad grows up from being a toy to a tool for photographers, I'll be happy to drop by the Apple store and just play with it whenever I feel like it.

четверг, 8 апреля 2010 г.

Luciano Rodriguez Pena: Holi & Kumbh

India Khumbamela from SENSES on Vimeo.


Here's a movie by Spanish photographer Luciano Rodriguez Pena, made during a recent trip to India. It features two main events during the first three months of this year: Haridwar Kumbh Mela and Holi. I liked the colors (as befits a country such as India) and the tremendous energy which the movie imparts. I wish there was a different soundtrack to it, but the stills and the movie make up for that.

Luciano is a Nature & Travel photographer, and teaches digital photography in various photography schools in Madrid.

Holi is a festival of color and was recently celebrated all over India. It's an exuberant festival which aims at infusing fresh hope to people as it marks the end of the winter days and the start of summer. The Kumbh Mela in Haridwar is a three month-long bathing festival along the Ganges river which occurs every 12 years, and about 50 million Hindu devotees performing their prayers and washing away their sins in river's waters are expected in this holy city.

среда, 7 апреля 2010 г.

Jamie Williams: Tibet

Photo © Jamie Williams-All Rights Reserved

Here's some really terrific imagery of Tibet by photographer Jamie Williams, who's based in Sydney, Australia.

His biography is unfortunately sparse, and apart from dividing his time between photographing editorial and commercial imagery, and pursuing his own personal projects, we know that he won quite a impressive awards to include Honorable Mentions in Prix De La Photographie (Paris), and that he worked with many publications to include Australian Airlines Magazine, In Style, World Expeditions, etc.

There are quite a few of photographs in Jamie's Tibet gallery that I ought to mention; the juxtaposition of the prayer scrolls and the Mani stones images, the Tibetan woman with the prayer wheel in silhouette (above), the woman cradling a baby near a pile of Mani stones, and the woman walking underneath prayer flags in a village...just to mention a few. The gallery consists of 47 images, so you'll need a few minutes to enjoy them. And the photographs are big...really big! The size that photo editors want and like.

His travel galleries also include imagery from Nepal, India, Kashgar, Kyrgyzstan, his native Australia and Papua New Guinea.

вторник, 6 апреля 2010 г.

The Hijras (Eunuchs) of Becharaji

Photo © Tewfic El-Sawy-All Rights Reserved

Eunuchs, transsexuals, or transgender men are known as hijras in South Asia. They adopt feminine gender identity, women's clothing and other feminine gender roles. Etymologically, the word hijra is an Urdu word, seemingly derived from the Arabic root hijr or emigration in the sense of "leaving one's family, tribe or country," and it has been borrowed into Hindi.

Photo © Tewfic El-Sawy-All Rights Reserved

Many hijra live in all-male communities, and have sustained themselves over generations by "adopting" young boys who are rejected by, or flee their family. Many work as male sex workers for survival. According to estimates by health organizations, only 10% of hijras are actually castrated.

Photo © Tewfic El-Sawy-All Rights Reserved

During my Tribes of South Rajasthan & Kutch Photo~Expedition™ , we stayed at the immaculate and well-run Rann Riders resort in Dasada, and its knowledgeable owner Muzahid Malik, suggested we visited Becharaji where hijras frequented its temple.

Photo © Tewfic El-Sawy-All Rights Reserved

As I walked in to the temple ahead of my group, I chanced upon hijras who, upon seeing me, started to clap their hands and laughing. Not really catching on that this was their trademark way of announcing their presence and sexual persuasion, I imitated them and clapped in exactly the same way...one hand on the top of the other, rather than sideways. This drove them to raucous laughter, and eventually to self-consciously pose for our cameras.

There are many stories told about the hijras, and how they extort money by embarrassing shopkeepers and guests at wedding parties, but those we met at the Becharaji temple were friendly and obviously delighted that we took such nonjudgmental interest in them. Naturally, there was some posturing for the cameras, and much competition for the most suggestive poses.

Muzahid invited me to spend a couple of weeks in Dasada. Perhaps I will...After all, there's a hijra festival at Becharaji in late summer. Another potential destination for a photo~expedition?

For a book on hijras, read Zia Jaffrey's The Invisibles.

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