воскресенье, 28 ноября 2010 г.

Next Week On The Travel Photographer


For the week starting Monday November 29,  the following posts are in the blog's pipeline:

1. The work of a photographer with a ton of images of India, including one of the wrestlers of Benares. I had planned to post it last week.
2. The work of another photographer with a lot of images of Buddhism. All black & white square format with a Hassleblad. Very impressive.
3. The work of an editorial photographer with a gallery of images from the Khumbu (Northern Nepal).
4. Interesting portraits of "witches" from West Africa.
5. The updated website of one of the best travel photographers will be featured.

Plus other whimsical posts as the week goes on.

NPR: Cairo And The "Disconnected"



This touches on photography/multimedia only tangentially, so unless you're into Middle Eastern-international politics, you may want to skip all the stuff below and just click on the movie.

A number of media outlets are gingerly covering Egypt's political scene due to the imminent parliamentary elections. I say gingerly because Egypt is a so-called major ally in the "war against terror" or whatever it's called these days, so it wouldn't be politic or in our national "interests" to criticize its ossified and corrupt regime. Why the United States aligns itself with despots in the Middle East and elsewhere will always be an anachronism.

NPR has featured a number of short articles and some multimedia for the occasion, and I found this one titled In Cairo Slum, Little Hope For Change to be an exemplar of what the current situation is in Egypt. I say "current" but that's not really correct. It's always been that way, and it'll continue to be that way, perhaps get even wider...a profound disconnect and an immense gap between the poor and the elite. Trust me...I know that for a fact.

An Egyptian investment banker (I'm not sure how he can be one with such an atrocious spoken English) complains that his children are disconnected from the rest of Egypt because they go to American schools, wear Western clothes and barely speak Egyptian Arabic. Well, I've got news for him....the "disconnect" has been prevalent since the Pharaohs.

Every dog has his day as the saying goes...so going back in modern history, it was the Ottomanophiles, then Anglophiles and the Francophiles who were the elite class, and disconnected from the people. Identical to the Tsarist elite in Russian who would only speak in French, the Egyptian elite would live in bubbles of their own making, separated from the "non-elite" and the rest of their compatriots. To a lesser extent, the time for the socialist Nasserites and Sadatites came and went. Now, it's the turn of the Mubarakphiles...the business cronies, the oligarchs, and the corrupt corporate/political alliances who form the recent elite....but these will also vanish when their time comes, only to be replaced by a hungrier demographic. We've been there before, and it's only a matter of time before the cycle repeats itself. A class will just replace another class. And by the way, claiming to have Turkish ancestry (some extremely tenuous and others grossly made up) is currently a de rigueur affectation for many of the newly minted Egyptian wealthy class. Go figure. Having Turkish heritage was once viewed as being regressive, not authentic and even unpatriotic. I know that for a fact as well.

But back to the "disconnected"...which many of the privileged (some would describe them as spoiled) Egyptian youth are. Confused by a brainless embrace of a culture that is not theirs; an embrace made possible because their parents are the current moneyed elite and can buy into an ersatz Americanism; confused by their own dichotomy...seeing no conflict between binge drinking, heavy partying and then fasting Ramadan and claiming religiosity...but unable and unwilling to adopt American meritocratic values, its democratic values and work ethics.

Watch the multimedia piece...then shed a tear for the real people of Egypt who deserve infinitely better than the dismal life they're leading.

суббота, 27 ноября 2010 г.

Kares Le Roy: Tibet & More


Here's the photographic work of Kares Le Roy, a French photographer and graphic designer. Unfortunately, his bio is very limited on his web site, but he traveled and photographed in Tibet, Nepal, India, Bali, Cuba, Cambodia and Morocco...returning with quite an inventory of photographs which he categorizes as Portraits, Life, Street and Landscape.

пятница, 26 ноября 2010 г.

Black Friday: Get My Book!!!


On this Black Friday, my new photo book Bali: Island of Gods is still available from Blurb.

You can choose between two main versions of the book (82 pages of black & white photographs): one is a large (13x11 inches) landscape hardcover version and the other is a standard (10x8 inches) landscape version.

More details are available on a page of my website Island of Gods. The link will also take you to my bookstore on Blurb, which has previews of the book.

Forget the long lines at the check-outs...just do it online. :o)

четверг, 25 ноября 2010 г.

Thanksgiving Wishes


All the best from The Travel Photographer on this Thanksgiving Day!

There may not be a post tomorrow...I'll be flying back to New York, probably feeling very full.

Apratim Saha: Varanasi

Apratim Saha is both a pharmaceutical executive and a photographer, whose work has been featured in the National Geographic and other publications. He's also a contributor to NationalGeographicStock.com

While I've liked Apratim's Varanasi gallery in which the above photograph of the sadhu is fetured, there's a photograph of a holy man, possibly after a dip in the Ganges, carefully arranging what can only be described as a comb-over. A priceless image of the temporal perhaps trumping the sacred. You'll find it in the Culture portfolio.

среда, 24 ноября 2010 г.

Michelle Frankfurter: Destino

Photo © Michelle Frankfurter- All Rights Reserved
Having read Cormac McCarthy’s, The Crossing, Michelle Frankfurter started to photograph along the US-Mexico border, and focuses her photo essay Destino featured on Burn magazine on undocumented Central American migrants who travel across Mexico in an attempt to reach the United States to work.

It's a sad tale that highlights not only the harsh risks inherent in such an endeavor, be it from criminal gangs, from corrupt police, from accidents to a myriad of other life-endangering events on the way.

A number of photographers attending the Mexico Foundry Photojournalism Workshop chose a similar subject for their documentary projects, and the area known as La Lecheria, where migrants seemed to converge to hitchhike north-bound trains, was a magnet for those photographers.

Michelle Frankfurter
is a documentary photographer who worked for three years as a staff photographer for daily newspapers: The Herald – Journal and Post Standard in Syracuse, New York. She spent three years living in Nicaragua where she worked as a stringer for the British news agency, Reuters and with the human rights organization Witness For Peace. In 1995, a long-term project on Haiti earned her two World Press Photo awards. She has worked for a number of editorial publications, including The Guardian of London, The Washington Post Magazine, Ms., Time, and Life Magazine.

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